
Maïmouna Patrizia Guerresi
As a photographer, sculptor, and installation artist, ‘Maïmouna’ Patrizia Guerresi reveals unique and authentic sensibilities in her narration of the beauty and subtleties of racial diversity and multiculturalism. Over an established career, she has developed her own symbolism, which combines cosmological and ancestral traditions belonging to various European, African, and Asian cultures. Her personal commitment to Baifall Sufism has led her to produce an aesthetic that is able to bridge time, space and civilisations, as well as figuration and abstraction.
The human body is seen as the nucleus and temple of the soul, a place that houses a delicate, higher awareness; the very conduit for encompassing natural and cosmic forces. More about mysticism than any singular religion, her work is visionary in that it restores those elusive qualities of sacredness and unity in our frequently dehumanising and fragmented contemporary visual world. Her classic iconographic style explores the universality of human experience and reclaims the often hidden nurturing powers of feminine energy. Presented as a kind of free flowing epic, the viewer is left to read the significance of her imagery and quietly meditate on its potential to personally engage with its audience. As if her figures were speaking directly to each one of us.
From her earliest experiments with the physicality and archetypal imprinting of the psyche, through to her latest, evermore metaphoric ‘inner constellations’, Maïmouna insists on a cross-cultural discourse and an expansion of the boundaries that normally dictate our individual attitudes. She invites us to see further and to look deeper – past skin colour, preconceptions, and ethnic landscapes – into the wider paradigm of inclusion. She leads us through apparently simple notions of dimensionality into the exquisite, mystical and fragile complexities of life from within. - Rosa Maria Falvo,
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Shades & Swagger # 2 Religiously speaking.
Displaying a Processional Cross, Church of Bet Denagil, Lalibela, Ethiopia, 2007
Photo by A. Davey via Flickr.
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the hair!!!!!
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Female Hip Hop Crew Makes Beats in Senegal | Beat Making Lab | PBS Digital Studios (by beatmakinglab)
“The people need a female rapper,” says Toussa, the president of GOTAL; an all-women’s collective of Senegalese rappers, producers, singers and beat makers who paired with a woman-led NGO called Speak Up Africa to write songs about global health issues in their communities.
Developed at the University of North Carolina at Chapel Hill, Beat Making Lab is a program that brings the tools and techniques of digital music making to young musicians in developing nations. Episodes documenting the experience in Senegal will air Wednesdays on PBS Digital Studios’ Beat Making Lab channel. Professor Pierce Freelon and producer Apple Juice Kid host.
The Architects: Stephen Levitin (aka Apple Juice Kid) and Pierce Freelon
Mastermind of Videography and Editing: Saleem Reshamwala aka Kid Ethnic (additional camera work by Felix Sarr)
Musical Poetry: Apple Juice Kid and GOTAL
GOTAL: Toussa, Sister LB, Anta, Venus, Donia Sonia Lady Zee and Ina
Show Wrapper Magicians: Josh Souter (stop motion/logo), Emily Forsberg (photography), Kelly Mertestdorf (producer)
Senegal kin folk: Speak Up Africa: Fara Ndiaye, Awa Ndoye, Yacine Djibo, Felix and Abdul; Toussa’s family, Intrahealth, Blaise Senghor Cultural Center, Darra J Family, Julie Pitts [Woodville NC], and our good friend Ali Neef.
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Support: www.BeatMakingLab.com
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Harry Belafonte by Carl Van Vechten on February 18, 1954. Photo: Beinecke Rare Book and Manuscript Library
Harry!
#acuratl
Getting fab #facial #haircut #tulsatechonpeoria
Facial,Bumped and cut #tulsatech #tysonbarber
Welcome to Nashville.